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'Friendship was indeed a value for the villagers, more for men than for women. Two good friends were said to be 'like brothers' (literally, 'like elder brother-younger brother', annatamman-dirahage). I heard this expression several times and I could not help recalling the statement of an elderly English colleague who had told me that he and his brother were very close and had written to each other every week. He had added, 'We are very good friends.' That is, friendship connoted intimacy in England while in Rampura (as in rural India everywhere), brotherhood conveyed intimacy'.
Which of the following, if true ,would directly contradict the conclusion of the above argument?

A
People are less likely to have large families in England.
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B
People in England are no longer close ton their family members.
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C
People in England do not think that friendship connotes intimacy.
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D
People in rural India think that sister cannot be intimate.
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Solution

The correct option is C People in England do not think that friendship connotes intimacy.
Option (c) which states that 'people in England do not think that friendship connotes intimacy' contradicts the argument.

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Read the given passage carefully and answer the questions that follow:

Unless one is wealthy there is no use in being a charming fellow. Romance is the privilege of the rich, not the profession of the unemployed. The poor should be practical and prosaic. It is better to have a permanent income than to be fascinating.

These are the great truths of modern life which Hughie Erskine never realised. Poor Hughie! Intellectually, we must admit, he was not of much importance. He never said a brilliant or even an ill-natured thing in his life. But then he was wonderfully good-looking, with his crisp brown hair, his clear-cut profile, and his grey eyes. He was as popular with men as he was with women, and he had every accomplishment except that of making money. His father had bequeathed him his cavalry sword, and a History of the Peninsular War in fifteen volumes. Hughie hung the first over his looking-glass, put the second on a shelf between Ruff's Guide and Bailey's Magazine, and lived on two hundred [pounds] a year that an old aunt allowed him. He had tried everything.

He had gone on the Stock Exchange for six months; but what was a butterfly to do among bulls and bears? He had been a tea-merchant for a little longer, but had soon tired of pekoe and souchong. Then he had tried selling dry sherry. That did not answer; the sherry was a little too dry. Ultimately he became nothing, a delightful, ineffectual young man with a perfect profile and no profession.

To make matters worse, he was in love. The girl he loved was Laura Merton, the daughter of a retired Colonel who had lost his temper and his digestion in India, and had never found either of them again. Laura adored him, and he was ready to kiss her shoe-strings. They were the handsomest couple in London, and had not a penny-piece between them. The Colonel was very fond of Hughie, but would not hear of any engagement.

'Come to me, my boy, when you have got ten thousand pounds of your own, and we will see about it,' he used to say; and Hughie looked very glum on those days, and had to go to Laura for consolation.

One morning, as he was on his way to Holland Park, where the Mertons lived, he dropped in to see a great friend of his, Alan Trevor. Trevor was a painter. Indeed, few people escape that nowadays. But he was also an artist, and artists are rather rare. Personally he was a strange rough fellow, with a freckled face and a red ragged beard. However, when he took up the brush he was a real master, and his pictures were eagerly sought after. He had been very much attracted by Hughie at first, it must be acknowledged, entirely on account of his personal charm.

'The only people a painter should know,' he used to say, 'are people who are bête and beautiful, people who are an artistic pleasure to look at and an intellectual repose to talk to. Men who are dandies and women who are darlings rule the world, at least they should do so.’ However, after he got to know Hughie better, he liked him quite as much for his bright, buoyant spirits and his generous, reckless nature, and had given him the permanent entrée to his studio.

Adapted from ‘The Model Millionaire’ by Oscar Wilde

Choose the correct option for the questions given below:

Why was Hughie Erskine unable to marry Laura Merton?


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