Identify the topic sentence:
The Badanga was an object of sheer horror, as his life's object was to challenge quiet villagers to a duel. As the then law of the land stood in the Teda tribe, a man who declined to accept a challenge from a Badanga forfeited all his worldly possessions, even his wife, over to the hands of his challenger. Therefore, the Badanga had any man he challenged at his mercy. If the Badanga slew him, the farmer's possessions became his, and if the poor fellow declined to fight, he lost all legal right to his property anyway. A Badanga would invite himself to any feast and contribute to the hilarity of the entertainment by killing in gory fashion any merrymaker who displeased him. He might even single one out to murder for no other reason than to practice his combat skills.

Therefore, the Badanga had any man he challenged at his mercy.

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He might even single one out to murder for no other reason than to practice his combat skills.

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The Badanga was an object of sheer horror, as his life's object was to challenge quiet villagers to a duel.

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If the Badanga slew him, the farmer's possessions became his, and if the poor fellow declined to fight, he lost all legal right to his property anyway.

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Solution

The correct option is D The Badanga was an object of sheer horror, as his life's object was to challenge quiet villagers to a duel.
The topic sentence is Option C. A topic sentence depicts the overall idea of the paragraph in brief and here, why the people feared the Badanga, has been mentioned appropriately. Options A, B and C are incorrect as they describe the various ways in which the Badanga worried the people and each of them are a part of the reasons why people feared them but these sentences do not provide an overview of the situation mentioned in the paragraph.

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Read the given passage carefully and answer the questions that follow:

Unless one is wealthy there is no use in being a charming fellow. Romance is the privilege of the rich, not the profession of the unemployed. The poor should be practical and prosaic. It is better to have a permanent income than to be fascinating.

These are the great truths of modern life which Hughie Erskine never realised. Poor Hughie! Intellectually, we must admit, he was not of much importance. He never said a brilliant or even an ill-natured thing in his life. But then he was wonderfully good-looking, with his crisp brown hair, his clear-cut profile, and his grey eyes. He was as popular with men as he was with women, and he had every accomplishment except that of making money. His father had bequeathed him his cavalry sword, and a History of the Peninsular War in fifteen volumes. Hughie hung the first over his looking-glass, put the second on a shelf between Ruff's Guide and Bailey's Magazine, and lived on two hundred [pounds] a year that an old aunt allowed him. He had tried everything.

He had gone on the Stock Exchange for six months; but what was a butterfly to do among bulls and bears? He had been a tea-merchant for a little longer, but had soon tired of pekoe and souchong. Then he had tried selling dry sherry. That did not answer; the sherry was a little too dry. Ultimately he became nothing, a delightful, ineffectual young man with a perfect profile and no profession.

To make matters worse, he was in love. The girl he loved was Laura Merton, the daughter of a retired Colonel who had lost his temper and his digestion in India, and had never found either of them again. Laura adored him, and he was ready to kiss her shoe-strings. They were the handsomest couple in London, and had not a penny-piece between them. The Colonel was very fond of Hughie, but would not hear of any engagement.

'Come to me, my boy, when you have got ten thousand pounds of your own, and we will see about it,' he used to say; and Hughie looked very glum on those days, and had to go to Laura for consolation.

One morning, as he was on his way to Holland Park, where the Mertons lived, he dropped in to see a great friend of his, Alan Trevor. Trevor was a painter. Indeed, few people escape that nowadays. But he was also an artist, and artists are rather rare. Personally he was a strange rough fellow, with a freckled face and a red ragged beard. However, when he took up the brush he was a real master, and his pictures were eagerly sought after. He had been very much attracted by Hughie at first, it must be acknowledged, entirely on account of his personal charm.

'The only people a painter should know,' he used to say, 'are people who are bête and beautiful, people who are an artistic pleasure to look at and an intellectual repose to talk to. Men who are dandies and women who are darlings rule the world, at least they should do so.’ However, after he got to know Hughie better, he liked him quite as much for his bright, buoyant spirits and his generous, reckless nature, and had given him the permanent entrée to his studio.

Adapted from ‘The Model Millionaire’ by Oscar Wilde

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Why was Hughie Erskine unable to marry Laura Merton?

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King Metabo
King Metabo was a famous javelin thrower. One day he went out hunting with his daughter, Camille on his back. All of a sudden, the king was attacked by a band of enemies. He had to flee from them until he came to a fast flowing river, which he was unable to swim across because of his daughter on his back. It seemed as if he was lost until he thought of a way out. Tying his daughter to his javelin, he hurled it with all his strength to the other side of the river; then he dived in himself and swam across to where Camille was. His enemies were so amazed that they gave up the chase.

How did little Camille cross the river?

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It was difficult for the king to swim across because____.

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One week later, not having found any other jobs in his locality, he decided to move his family. He has been wandering around since and is yet to find an employer to hire him.

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