There are many types of music prevalent in the Indian subcontinent that belongs to various categories. The Indian music is divided into four. Indian Music is part of Art and culture which have a rich legacy. During the medieval period, Indian classical music was generally based on two traditions, the Carnatic music prevalent in South India and the Hindustani classical music in the North India.
Before 13th Century, there was only one classical music in India. Post 13th Century the Classical Music has been separated into two different styles. In North India, Persian and Mughal influence began creating its place very intensely with Amir Khusro.
Tansen and his contemporary musicians mostly performed in Dhrupad sort and later Khayal singing was promoted by Sadarang and Adarang.
On the other hand, Carnatic Music was evolved mainly by Shyama Shastri, Tyagraja, Muthuswamy Dikshitar, and Saint Purandardas. Currently, most of the classical training revolves around Kritis composed by these great saint musicians.
The history of Indian music can be derived from Natya Shastra, wrote by Bharatha Muni, a Musicologist. The Natyashastra deals with the basic theory of Music, dance and drama called “Natya Shastra’. Under this, there were 22 notes in an octave. The idea of ‘Sruti’ was presented to permit individuals to select a suitable reference ‘root’ pitch based on the musicians’ ease. A set of ‘Rasas’ and ‘Bhavas’ or expressions were recognized.
Hindustani and Carnatic music systems developed from a common ancestor.
Carnatic Music originated in the Bhakti movement, while Hindustani music originated during the Vedic period. Therefore both have a great link with religion. Both the music developed with Sanskrit language scripts in itself and through Vedic traditions.
The main vocal forms of Hindustani music are Dhrupad, Khayal, Tarana, Thumri, Dadra, and Gazals. The Carnatic music embraces much creativity comprise of Alpana, Niraval, Kalpnaswaram and Ragam Thana Pallavi.
There are two categories of Classical Music
- Hindustani Music is practiced in Northern Parts of India
- Carnatic Music is practiced in the Southern Parts of India
|Areas of differences||Carnatic||Hindustani|
|Ragas||72 ragas||6 major ragas|
|Instruments||Veena, Mridangam and Mandolin||Tabla, Sarangi, Sitar and Santoor|
|Influence||Indigenous||Afghan Persian and Arab|
|Sub-styles||Only one particular prescribed style of singing||Several sub-styles|
|Freedom||Freedom to improvise||Scope to do variations and improvise|
|Vocal and instruments||Both have equal importance||More importance to vocal music|
Similarities between Carnatic and Hindustani music
- Both the Carnatic and Hindustani styles give principal prominence to the melody.
- Both has one leading swara or Vadi swar in every Raga
- Both use Sampoorna Scale (with all 7 notes) to describe Janak Thaat or Raga to make Janya Raga.
- Both use a Tanpura or Drone with one or two notes to signify Pitch and base in Raga version.