Manipuri dance is considered as significant established dance forms of India, especially noted for topics in light of Vaishnavism and marvelous execution of ‘Ras Lila’, dance appears in perspective of fondness among Radha and Krishna. Different subjects incorporated into this artistic expression connect with Shaktism, Shaivism and on the sylvan divinities called Umang Lai amid Manipuri celebration ‘Lai Haraoba’. This dance form is named after the north-eastern state of Manipur, India from where it began however it has its underlying foundations in ‘Natya Shastra’, the deep rooted Sanskrit Hindu text. A blend of Indian and southeast Asian culture is substantial in this form. The deep rooted dance convention of the place is showed from extraordinary Indian stories, “Ramayana” and ‘Mahabharata’, where the native dance specialists of Manipur are called as ‘Gandharvas’. The Manipuris play out this religious craftsmanship that goes for communicating otherworldly esteems amid Hindu celebrations and other essential social events like marriage.
History and Evolution
Customarily the Manipuri individuals see themselves as to be the “Gandharvas” said in the Vedic writings who were singers, dancers and artists related with devas or the divinities. Southeast Asian sanctuaries of early medieval period bear figures of “Gandharvas” as artists. The locale is likewise specified as ‘Gandharva-desa’ in antiquated Manipuri writings. Traditionally this oral convention of move go down verbally to ladies is celebrated in Manipur as ‘Chingkheirol’. Manipur discovers put in age-old Sanskrit writings including the considerable Indian epic, the ‘Mahabharata’, which says that one of the five Pandava siblings, Arjun met Chitrangada and began to look all starry eyed at her in this excellent valley. The ethnic dominant part of Meitei individuals call dance as “Jagoi” and the customary ‘Lai Haraoba’ celebration saw to pay tribute to the sylvan divinities called Umang Lai incorporates a few move stances of Nataraja, a representation of Lord Shiva as the astronomical joyful artist, as additionally His follower Tandu or Tangkhu. The ‘Khamba Thoibi’ move is performed amid ‘Lai Haraoba’.
The collection and fundamental play of this dance form revolves around various seasons. The customary style of this artistic expression fuses graceful, delicate and melodious developments.
The costumes for Manipuri artists, especially for ladies are very extraordinary from other Indian traditional dance forms. A male artist wears a splendid shaded dhoti, likewise called as dhora or dhotra that spreads bring down piece of his body from waist.
The outfit of female artists looks like that of a Manipuri bride, referred as Potloi ensembles.
Instruments and Music
The musical instrument for the most part utilized as a part of this artistic expression incorporates the Pung that is a barrel drum, cymbals or kartals, harmonium, woodwind, pena and sembong. Accompanists incorporate an artist. Amid the Pong cholom move, which is ordinarily executed as a prelude to ‘Ras Lila’, artist drummers perform breathtaking footwork including dance jumps while drumming.